"The B&W project" SLUICE art fair , London

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The B&W Project - Instillation view at SLUICE



The B&W project poster in the middle of our special B&W co-edition made for the sluice fair , with Atelier Tchikebe, Marseille.



Lydia Rump going over the Sluice catalog designed by Daniel Devlin



we showed around 30 artists from the 100 in the THE B&W PUBLICATION

Rieko koga looking at the THE B&W PUBLICATION at the opening night

The SLUICE talks program was organized by Ben Street . The art world as an open system talk. participating : Erin Lawlor, Enrico Gomez and Yifat Gat.

Marble dust on windows by y.gat

"The quintessential installation of the fair curated by Charlie Levine - Sluice director, incorporated works by Yifat Gat (who also runs the Black & White Project) and Katherine Di Turi . Using marble dust, Gat created delicate emblems in the mullioned windows of the space that ranged around three sides of a large room. Di Turi installed small, black-and-white photographs of antique mirrors on the walls between some of the windows. In each instance, what was seen within the framed pieces of glass was doubled, and still images were paired with moving. Gat’s Marble dust overlaid views of central London, bringing what was outside of the room inside. The glass protecting Di Turi’s photographs also reflected figures as they moved about, placing the space of the room within the confines of her frames. experienced that last-noted installation with only a handful of other viewers present, and we all commented on the magic of its rough simplicity. That is, of course, what distinguishes Sluice from Frieze. At the former, roughness and simplicity are contrivances that provide a whiff of “authenticity,” when Frieze truly legitimizes what money can buy or is willing to endorse. Sluice offers the possibility of art actively transforming your time with it — no money required." Janet Tyson of Hyperallergic